You can also send other parts of your mix like, pads, rhythm guitar or drum overheads to this stereo verb, which will further gel the vocal with the other elements by putting them in the same “space”. This will help your vocal sit back and blend the rest of the elements. You want to set the level of this verb to just where it starts to disappear in the mix, although how much you add will depend on the style of your track, i.e. The only key setting is a long pre-delay 30-50ms. The setting can be a little less precise here with basically a long plate verb that fits your mix in terms of time and tone. I like to use the UAD EMT 140 but the Valhalla Vintage is cool as well. One plug-in worth mentioning at this point is the UAD Ocean Way it is capable of this effect with amazing clarity and can really add “that” sound to your vocal – it’s expensive but totally worth it!įor the second reverb we want to create a separate STEREO send, and place a vintage style plate (or spring). It is important that this reverb is in mono as we don’t want it to spread the vocal out at all in our stereo field. By creating this reverb with a short pre-delay, we create a feeling of standing right in front of the vocalist. If you walk towards a wall talking/singing you will notice that when you get really close to the wall there is a noticeable short slap. The idea with this reverb is, to actually bring the vocal forward in the online mix, an effect that is created by the short pre-delay. When you turn up your Aux send, you should hear something between a slapback and a room sound. Set your reverb up with a short pre-delay 2-3ms on a small room setting with a short time setting that decays away nicely with your vocal. You want to have this panned directly in-line your vocal (9 times out of 10 this is going to be dead centre). Valhalla Room or the old faithful D-Verb. My favourites for this are Waves RVerb, UAD Dreamverb, A favourite technique of mine for a lead vocal (especially in pop music or hip hop) is to use 2 reverbs, where the vocal needs to be way up front but still sound connected to the rest of the mix.įirst up we want to create a mono aux send and place a clean and modern sounding reverb, in MONO. Reverb is critical to create depth and space around your vocal. One of the most important aspects of mixing a vocal and getting it to sit in your mix is the amount and type of reverb you apply to it.
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